Short

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7′

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Patrick in Town

Patrick in Town

In the near future humans of Earth turned vegan to avoid climate crisis and animals and humans can now communicate - and love each other freely - but what challenges do they face?

Patrick in Town is a character-driven absurd comedy melodrama series set in the near-future ecological utopia. It centers around Patrick (who was a pioneering vegan even before the whole planet had to turn vegan in order to avert mass extinction) and his wife who is a Cow. The short explore their past and present cohabitation, and a plethora of surrounding characters - human and non-human animals - as we reveal what a vegan future can look like for planet Earth and its symbiotic population.

Director’s statement
We have been kept apart by covid but we want to find ways to remotely build up our dream project. This project is carefully considered in context and built on thorough research on the topic of animal rights, climate change, anthropocentrism and veganism. The pilot episode already peaked viewers interest, and touched the surface on diversity and gender roles and norms. We believe now is the most important time to create inspiring content for positive social change, with social commentary - not as shock tactics, but inspiring hope for the future, and educating about sustainable ways of life through alternative 'fun entertainment'. We want to make a short film which can be streamable on VOD platforms, and to build a recognizable identity which rises from niche culture of adult animation into the wider public circles.

Director

Valentína Hučková


huckova.v@gmail.com
Director

Eszter Sandor


ygnoodle@gmail.com

Country of production

Slovakia, Hungary

Target audience

adults, young adults

Animation technique

2D (vector based), stop motion, (mixed media - digital 2D cut-outs, digital hand-drawn animation plus stop-motion elements)

Production company

Young Glass Noodle

Looking for

producers

Student / Rising Stars

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10′

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The Last Drop

Az utolsó dobás

The mental state resulting from a series of conflicts in the final stages of preparation destroys everything in the competition that Kata and the full rhythmic gymnastics team worked on together.

Rhythmic gymnastics is considered to be one of the most beautiful female sports. What we see is that young, gorgeous girls in their glittering leotards move lightly on a big carpet, with a smile on their faces. Behind the mask of perfection, however, there is eternal self-dissatisfaction and endless internal struggles in the group. Through the eyes of a competitor, we follow the journey of the entire national team from a training session to the competition mat and observe how their intrigue ends up producing exactly the opposite result they wanted in the first place.

Director’s statement
The idea for the film is based on my own rhythmic gymnastics experiences. At the heart of the story is the events of the years spent in competitive sports - from a girl’s perspective, I would like to show the significance of the bonding relationship between the team and the coach. An important element of this connection is the balance of power and the consequence that, beyond one point, the mental injuries caused to each other is an error that occurs during a stressful situation, like a competition. The drawing style works with sleek shapes and exciting light-shadow textures. Depending on the choreography, the movements are fluid, flexible, light, or just strong, and piecemeal. The movement of the girls, the rhythm of the spatial forms and exchanges, the visual style, and the change of colors all reflect the mental state of the characters.

Director

Anna Tőkés


tokesnusi@gmail.com
Producer

József Fülöp


anim@mome.hu

Country of production

Hungary

Target audience

young adults

Animation technique

traditional

Looking for

co-producer, financing, postproduction, festivals

Entropia

Entropia

Entropia is a container of three parallel universes where three girls are living in different circumstances.

Entropia is a container of three parallel universes where three girls are living in different circumstances. One of them represents the animalistic side of human nature, one of them is a consumer filled with her own frustrations, and the third one lives in a futuristic room where she has to run to keep the system work. Suddenly a fly flies over the three universes and causes a bug in the system. Because of this, the three universes start collapsing and the girls are able to move closer to each other.

Director

Flóra Anna Buda


Producer

József Fülöp


Country of production

Hungary

Production company

MOME

Screenplay

Flóra Anna Buda

Cinematography

Flóra Anna Buda

Animation

Borcsa Zétényi

Editing

Vanda Gorácz

Sound

Gergely Matos

Music

Gergely Matos

Colouring

Emi Farmasi

World Sales / Distributor

NFI

TV series

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52 x 5’

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Daisy and Dot

Detti és Drót

Miraculous adventures of two inseparable friends, Daisy and her dog, Dot, magically whisked off to Fantasy Land as soon as Daisy taps her nose.

In the stories, Daisy and Dot embark on an adventure, but suddenly find themselves facing a danger that is too big for a girl and a puppy to cope with. In such cases, Daisy taps her nose with her index finger to stop time. As it happens, everything around them freezes and they enter Daisy's fantasy world: Fantasy Land. The relationship between Daisy and Dot also changes in this world: Daisy understands what Dot says. In the fantasy world, Daisy and Dot always find themselves facing a problem that needs to be solved. These problems are not real dangers, but at the same time serious imaginary complications that exist in the mind of a small child. It always takes Daisy's imagination and skills to put things back into place. As soon as it happens, Daisy taps her nose with her finger and the paused time restarts where the danger, which is in connection with the resolving of the fantasy situation, disappears. Daisy and Dot can continue their games and discoveries carelessly.

Director’s statement
The active, open-to-all-new-things lifestyle is reflected as an important value in our series. Daisy and Dot are always active, proactive and enthusiastic. At the same time, a responsible mentality that knows the dangers and tries to prevent them, is closely linked to this attitude. The series shows that there may be dangers and obstacles in the real world, but passivity is not a solution to them. Problems can usually be avoided with caution or solved with creativity and imagination. The series also conveys positive attitudes. From Daisy's explanations and the adventures of the two friends, children-viewers can learn new skills and acquire new knowledge. These are mainly everyday habits, basic science and cultural knowledge. The traditionally positive social behaviour does not appear in a didactic and self-serving manner in the series, but always as effective and exclusively appropriate attitudes and behavioural routines in relation to the difficulties to be solved.

Director

István Heim


heimistvan@kedd.net
Producer

Géza M. Tóth


geza@kedd.net

Country of production

Hungary

Target audience

Preschool, 3-6 years

Animation technique

2D (vector based)

Production company

KEDD Animation Studio

Estimated budget

EUR 1,651,000

Funding secured

10% of the total cost, that is EUR 165,100 can be financed by our studio, the KEDD Animation Studio, Hungary;
30% of the cost, that is EUR 495,300, can be financed by Hungarian indirect state support with tax incentives for films projects (managed by the National Media and Info-communications Authority)

Looking for

Financing

Short

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8’

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The Garden of Heart

A szív kertje

A nervous painter-to-be has to overcome his own demons during the university entrance exam, which appear as pests in his imagined inner garden.

Dániel Juhász is a man in his early twenties. His dream is to become a great painter. He is in the final round of the application process for the University of Fine Arts. He's listening to the "Garden of heart" meditation exercise on his mp3 player before the interview. In his mind, he is in a great garden full of flowers, however, his negative thoughts take shape as bugs and pests. As he enters the building, the garden is being overrun by worrying lady-bugs. Potato-beetles are articulating harsh criticism about his work while he is showing his paintings to a co-applicant girl. A mole throws slurs at the girls' paintings when she shows them. The interview is a failure, and on top of that, a UFO worm depicts a bleak future for him: he will stop painting, vanish without a trace, unknown, unremembered. The grim fantasy is disrupted by the girl who invites him for a walk. Even though the pests are protesting the decision, he manages to break out of the prison of his mind.

Director’s statement
As an artist, I always found it difficult to turn off my automatic ego. It always recites lines in my head like: “What I do is worse than anyone else’s”, or “I’m not good” enough, etc. But the voices of my inner ego are also judgemental towards other people: “she’s not that great”, “I’m better than him” and so on. I decided to make a film in which these voices appear as parasitic little animals. The lack of self-value, the inferiority complex, and the compulsion to conform is a big issue in my generation, but it is rarely addressed in animation. I want to explore the spiritual aspect of the ego with humour. I chose to work with digital hand-drawn animation. I am a big fan of naive painters, the style fits the theme too: even though he knows about the anatomy, Dániel is working with the passion and enthusiasm of the naive painters – when his inner voices let him do so. Simultaneously with the filmmaking process, I also compose the music with synthesizers and digital software.

Director

Olivér Hegyi


almoslajos@gmail.com
Producer

Bálint Gelley


balint@cubanimation.com

Country of production

Hungary

Target audience

Young adults, adults

Animation technique

Traditional

Production company

CUB Animation

Estimated budget

EUR 38,600

Looking for

Co-producer

Short

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8’

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Hoodies and Sunglasses

Hoodies and Sunglasses

Creatures in hoodies (cloaks) and sunglasses living their daily life in a timeless, surrealistic environment.

The idea is to create a dreamlike universe with a surrealist, timeless atmosphere, where all the creatures look alike. Their purpose and their relationships are mysterious, and changing from time to time.
This is not a narrative story and it does not have a protagonist. It shows a cult's everyday life; their activities are mostly connected to our human world, but sometimes it is surprisingly and randomly different, magic-like. The shots have a particular connection to each other, but the logic is not always consistent. What is hidden between the lines, is that these creatures are waiting for some kind of a messiah, a leader, who never comes. 
The most important components of this world are irony, surprise and inclemency. The scenery contains sterile, sci-fi-like towers and puritan, medieval buildings, to emphasize a timeless environment. 
The film is built on contrasts – it is something we are familiar with, but we do not exactly know what the background is, and neither do the people in the story.

Director’s statement
What if I create a fake society, which has a history, mythologies, a certain origin, and I try to pretend that it is known? We all have habits, customs and rituals that we practice day by day, and never really question them, we just accept them the way they are. 
I realised that my way of thinking makes me a minority on a bigger scale, but I also live in a bubble, surrounded with people who share my opinion. And this bubble could refer to the world of hoodies and sunglasses. 
If you think about a cult, usually something negative, creepy comes into one’s mind, referring to people who are totally brainwashed and a group offering sacrifices to their gods or ritually committing suicide. Still, the stories about unusual cults are interesting, they certain myths which fascinates me.
I imagine this short as some kind of a fake documentary about these people, who do not do anything extraordinary, but the possibility of something magical to happen is always conceivable.

Director

Fabian Balogh


b-fabian@hotmail.com
Producer

Manon Messiant


manon@iliadefilms.fr

Country of production

France

Target audience

Young adults or anybody who's up for a surrealist journey

Animation technique

2D digital drawn

Production company

Iliade et Films

Estimated budget

EUR 80,000

Funding secured

Iliade & Films – coproducer: EUR 5,000, already received EUR 1,400 from the Hungarian National Cultural Fund

Looking for

Financing

Short

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15’

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27

27

At the age of 27 Alice realizes, it is time to face reality.

Alice turns 27 today, she still lives with her parents, being lost in her illusions. Through a trippy party on a rooftop and a drunk bike accident, she learns to take responsibility.

Director’s statement
The idea of 27 came when I finally managed to move out of my parent's place at the age of 28. I had an idea of a character who is an adult but lives with her parents. She is always entering a dreamy erotic fantasyland, like Alice in wonderland, and trying to fulfil her needs there, because reality seems to be just too hard to handle. I decided to call her Alice. In 2019, I spent a year travelling and I constantly ran into people who had similar experiences. It made me realize that this is a very common problem. I started a research and found out that just in Central Europe actually 70% of the young adults between 25-35 eventually move back to their parent’s place after college or never even move out. Since it is very much based on my experiences and I successfully passed this period of life, I would like to show a positive perspective. I’d like to encourage people who are in the same situation not to give up and learn to accept that it is okay to have such moments in life.

Director

Flóra Anna Buda


budaflora@gmail.com
Producer

Gábor Osváth


gosvath@gmail.com
Producer

Péter Benjámin Lukács


peter.b.lukacs@gmail.com

Country of production

Hungary

Target audience

Young adults

Animation technique

Traditional, 3D (CGI)

Production company

Boddah

Co-production company

MIYU Production

Estimated budget

EUR 190,000

Funding secured

Ciclic Prize - MIFA Pitch Forum, Annecy Festival, France

Looking for

Financing

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CEE Animation is supported by the Creative Europe – MEDIA Programme of the European Union and co-funded by state funds and foundations and professional organisations from the Czech Republic, Hungary, Poland, Slovakia and Slovenia.

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