Short

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11 min

|

Cucurbitaceae

Cucurbitacée

Seraphine lives alone. Like, very alone. Kind of depressed, she really lacks of contact, needs to feel someone touching her more often. Someone, or something ?

A city pulses like a living organism—cars stalled, people swarming like larvae on decaying fruit. Hum, distant sirens, low percussive beats fill the air. A city pulses like a living organism - cars stalled, people swarming like larvae on decaying fruit. Hum, distant sirens, low percussive beats fill the air. Séraphine wakes in a vast, empty bed. She clings to the sheets, which collapse beneath her, leaving her tiny in a fabric ocean. Morning becomes ritual: coffee, grapefruit, delicate gestures. She melts, hanged on her cup, warms her skin, and drifts like smoke as sunlight grows on the table. Despite this stillness, morning sometimes turns to nightmare. Desires of destruction appear and vanish as flashlight. Dark thoughts hit her mind, leaving her upset. When she discovers her skin is fading away, becoming transparent, she goes out, jumps in a bus. Once in the supermarket, every fruit and vegetable teems with sensation. She presses, smells, and traces their textures, imagining herself as cucumber, yogurt, or maki. The aisles gradually twist into a kaleidoscopic playground, colors and shapes swirling in chaotic intimacy. Meanwhile, we saw the bus struggles with an accident shaking and mixing all the passengers bodies together, Séraphine is amongst them. Once the bus brakes, everyone's safe. Séraphine looks to her hands: her body is solid again. From above, the city stretches endlessly, alive with color, chaotic yet intimate, fragile yet vivid.

Director’s statement
In my project, emerging from lockdown, I translated my longing for human contact into exuberant, joyful visuals—makis, wild music, and playful movement—masking a deeper solitude. The story oscillates between intimate, introspective moments and baroque fantasies, where exaggerated body movements, elastic objects, and tactile, olfactory, and gustatory sensations heighten micro-emotions: the warmth of a cup, a sunbeam, a touch, a bite of fruit. Minimalist, open-frame visuals echo introspection, while public spaces—the crowded bus, the supermarket—paradoxically intensify reflection. Sound design and music amplify sensuality and absurdity: dripping, gurgling, squeaky textures, playful loops, and crescendos echo the chaotic inner life. Colors are soft, pastel liquid, overflowing their outlines. Everyday ordinariness, humor, and subtle melancholy intertwine with whimsical, sensorial fantasies, creating a narrative of desire, longing, and corporeal delight.

Country of production

Belgium

Target audience

Young adults (15 to 18 years), Adults (18+)

Animation technique

2D (vector based), Drawing, Plastic sheet scrapping

Production company

Camera-etc

Estimated budget

€ 169 550

Funding secured

€ 49 550 - Camera-etc (equity and valorization).

Stage of the project

development (existing script)

Looking for

(co)producer, distributor, broadcaster, international sales, 2D animation studio, post-production studio, sound post-production, studio

Close

CEE Animation is supported by the Creative Europe – MEDIA Programme of the European Union and co-funded by state funds and foundations and professional organisations from the Czech Republic, Hungary, Poland, Slovakia and Slovenia.

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