The Total Solar Eclipse of 1999 was unusually received in Yugoslavia: emergency measures introduced to protect the population from the harmful effects of the Eclipse, led to a day-long total lockdown.
Nemanja was an 8 year-old on a school trip, when he had to spend an entire day locked up in a dark hotel, with nothing to do but watch Schwarzenegger's Commando on repeat. Milijana, a bank clerk, was released from work early: getting home through the deserted streets of Belgrade became the only memory of her 50th birthday. In a small Serbian village, Kristina interviewed locals preparing for a doomsday - the end of the world. The phones in the National Observatory were buzzing with calls from concerned citizens. All TV channels urged citizens to take special protection measures. Yugoslav Aerotransport flights were canceled that day, and the entire country entered a total lockdown. This is what the Total Solar Eclipse on August 11, 1999, looked like in Yugoslavia. 23 years later, 5 witnesses reconstruct their memories of the Eclipse, wondering whether the mass fear it caused was a consequence of the traumatic bombing just 2 months before, or an (un)intentional public media experiment.
Director’s statement
The eclipse lockdown of ‘99 is one of my most vivid childhood memories. Yet, for many years, I wasn’t sure whether I entirely made it up. It became especially relevant during the COVID lockdowns when I began interviewing friends: our childhood memories of abandoned streets, closed shutters, and "experts" on the TV, predicting the end of the world, were stunningly similar. Interestingly, during the bombing of Yugoslavia 2 months earlier, mass public gatherings and concerts were organized during daily air raids.
In this animated doc, I explore the mechanisms of media manipulation, mass-madness and myth-making, and look into the collective trauma through individual recollections and public archives of one perplexing, collectively shared experience.
With the ease that comes with the passage of time, in an occasionally humorous manner, I ask a relevant question: What circumstances lead to such an "anomaly event," and what factors made us so vulnerable and compliant?
Country of production
Serbia, Bulgaria
Target audience
25-45
Animation technique
2D (vector based)
Production company
Set Sail FilmsProduction company
Estimated budget
110 000 EUR
Funding secured
55 000 EUR - Film Center Serbia, Bulgarian National Film Center, Set Sail Films
Stage of the project
script development (existing treatment)
Looking for
Distributor, broadcaster, illustrator, additional animation studio, additional financing.